I had a chance recently to talk to
John Sbordone, an artistic director from a small theatre in Flagler County, Florida. Sbordone started the City Repertory Theatre
in Palm Coast two years ago in an effort to bring more alternative and daring
theatre to the Central Florida area. I
was thrilled to get the chance to speak to him because his theatre is doing
exactly the same kind of intelligent, edgy theater that I want to accomplish
myself one day.
Mr. Sbordone
began his theatre career as a PhD student at Indiana University in Theatre
History and Criticism. Since he left
there in 1973, he has directed over 300 plays. In 2004, he retired to Florida but still could
not let go of the theatre. He started
volunteering at the Little Theatre of Palm Coast.
During his time there, it quickly became the
Flagler Playhouse. Eventually, they were able to move into their own space, a
former church in Bunnel. Early in 2011,
Sbordone left the Flagler Playhouse with Diane Ellertsen. The two worked together to found the City
Repertory Theatre, which is now located at Hollingsworth Gallery in the CityMarketplace of Palm Coast.
City Repertory Theatre was intended to provide entertainment not being seen at the
other local theatres. They are committed
to creating thought provoking, emotionally engaging drama. Sbordone emphasized the importance of
choosing plays that are challenging to the actors and that push them to their
limits.
“The City Rep is dedicated
to producing plays that provoke the mind and spirit and providing a theatre
with excellent opportunities for serious actors to pursue their art. We want to explore new ideas in the community
and create a forum for discussion."
In a theatre, negotiations can occur in many ways. When asked about common techniques like
separating the person from the problem, Sbordone agreed that treating everyone
with respect would help with any conflict.
He believed that when expectations are made clear, and everyone is
committed to the same goal, less conflict arises. The show is everything. It is more ideal for both sides to work
towards a mutual benefit. However, the
vision for the show is bigger than anything else. Sbordone was also asked about “dirty tricks”
in negotiations, but thankfully did not have many stories from within his own theatre. His concern was with other arts organizations
sometimes playing dirty. The only way to
deal with that is head on, sitting down with them and reasoning.
In the future, City Repertory
Theatre hopes to continue to expand their audience base and influence,
eventually moving into a larger space and other venues.
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